告诉蜜蜂

简介：When star high school quarterback AJ Montoya breaks his hand his only hope is to team up with his longtime rivals, the cross country team--a group of nerds and misfits with potential for high school glory.

简介：普通上班族方原，在一次交通事故中意外地得到一个可以让时光倒流的手ccc。在面对公司同事高程的日常欺压行径时，无意中触动了手环时光倒流的神奇功能。发现了手环神奇功能的方原巧妙地利用手环的能力，在一场公司的竞赛中破坏了高程的阴谋诡计，用它获得了老板以及同事的认可，在步步高升的同时还将高程逼离了公司。这时，因为手环的特殊能力而变得不再满足于仅仅在事业上缓步前进的方原，想到了其他赚钱的点子，他利用手环在赌场里大赢了一笔，还用赢来的钱买下了一栋带泳池的别墅。然而，此时变得飘飘然的方原让女朋友时小然感到不适应，进而爆发冲突导致分手。方原借嗨消愁，却在一次醉酒后发现手环可使用的次数不多了，而他也陷入前所未有的落魄境地中。此时，赌场的龙哥也在高程的揭发下，知道方原拥有手环的秘密，两人设计绑架了方原并以时小然的安危作为威胁。方原利用手环仅余的能量拯救了自己和时小然，结局本该是圆满的，却在最后一刻发现了手环的终极秘密。

简介：

在一个愤世嫉俗被认为很酷的时代背景下，三个刚从大学毕业的好朋友梦想着在纽约大放异彩。他们在事业上都不得意，马可和罗伯特想要成为纽约的百老汇演员，而辛西娅想要进入时尚行业的顶峰。当他们必须面对现实，三个人由此发生很多趣事。这一电影是对纽约曼哈顿文化的一种展现。

简介：

一位年轻的穆斯林女子的纽约假期变成了一场噩梦。

简介：

这部美国纪录片聚焦荷兰，挑衅性地问道：“一个月带薪假期、无须担心无家可归和全民医保就是我们被警告的噩梦吗？”荷兰不仅有风车和郁金香，而且在 LGBTI 平等、言论自由法和动物权利方面也处于领先地位。荷兰经济是世界上最好的国家之一，该国在几乎所有生活质量指数中都名列前五。听起来他们正在做一些正确的事情。

简介：

生活在伊朗，荒谬是正常。为儿子改名大卫不获批，因名字太西化；更新驾驶执照被拒，只怪肢体有纹身；汽车遭没收，因为驾车没戴头巾；去应征工人，被要求当场示范拜祭礼仪……两位伊朗80后导演联手执导，以简洁而见巧思的叙事设计，摆定镜头让九名男女大演黑色幽默独脚戏；由小学女生、求职中年汉以至失狗老妪，每天不得不面对政府机关、学校、企业卡夫卡式的荒腔走板。政教威权样样禁制，道德枷锁层层施压，最后土崩瓦解的，可会是整个波斯文化根基？

简介：

一群公民对社会秩序的看法以及使用暴力警察的合法性提出质疑和对抗。

简介：

安东尼·波登访问该国并深入探讨政治问题以及当地的食物和文化。

简介：Out of the fifties 'B' Science-Fiction monster movies, this easily ranks as the best. It's most notable as the film that ALIEN is an unaccredited remake of, thus giving it a certain historical significance.　　The intriguing plot is about the rescue of the only marooned survivor (Col. Carruthers) of an ill-fated expedition to Mars. The authorities, pig-headed as usual, falsely assume that he murdered his fellow crew members, so that he'd have more provisions to survive; hence he is being brought back to Earth to face court-martial for murder. (There is also a somewhat interesting plot reversal here Most movies of this nature usually begin with the ship leaving Earth, enroute to its otherworld destination, while, in this case, the story is believed finished, and begins as the characters take-off from the other planet, returning to Earth). As the rescue ship is leaving Mars, a lurking, ominous shadow is seen in the lower compartment. (A frightening, atmospheric moment, accomplished through sheer economy and simplicity).　　Carruthers insists of his innocence to his fellow captors, claiming that his original crew mates were slaughtered by a hostile, unseen presence on the desolute red planet, but three-guesses as to their reaction to his unusual plea. Naturally, he can't prove it, and 50's space authorities were not very alien conscience at the time. (As a side-thought, unseen menace may remind you of that highly original BLAIR WITCH).　　As everyone sacks out, a hapless supporting charactor whose name is at the bottom of the casting list (guess what will happen to him) hears something in the lower compartment. Despite your futile don't go down there, you jerk! pleas, he does just that, and is appropriately killed (more like thoroughly obliterated) by the shadowy figure with insatiable blood lust on its mind. In the victim's case, dereliction of duty and sheer cowardliness would have been the wise decision. The scene is actually well-directed (for a change) and develops much suspense, as the entire film surprisingly does.　　The crew finally catches on that they have an unwanted ship crasher on board, and try every possible means at their disposal to eliminate it, but the unknown creature seems to copping an anti-death attitude. Proving to be an even more clever, worthy adversary, 'IT!' also hides out in the ventilation shafts of the ship (now that should ring a bell). Cahn's forceful direction generates considerable tension as the malevolent stowaway works its way up from one level of the confined ship to the next, eventually leaving the remaining characters trapped at the top. The movie's suspense is blunt and right to the point IT!' has to kill them or starve, hence they have to kill IT! or die. Nothing like those no two ways about it choices. Rent it, or check for it on cable if you wish to know the outcome.　　For a low-budget quickie, IT! is quite impressive and memorable. The dreaded sense of claustrophobic tension, rendering the characters' helpless entrapment, is highly effective. This is a production in which the limited budget and small sets actually work in favor of the plot's scary ambience. The black white photography (Yes, it's one of those!) helps to enhance its dark, creepy mood, and the sense of apprehension is quite high. (Modern day color freaks never seem to take that into consideration). The plot is also somewhat cynically ironic If the creature hadn't stowed away on the ship, Carruthers would have most likely been found guilty of the charges against him.　　The intelligent script (see what I mean about rareity) was penned by noted Science-Fiction author Jerome Bixby (remember Twilight Zone's It's a Good Life) The picture's taut editing eliminates any extraneous dross. (ALIEN tended to drag in its first hour with its sophomoric dialogue, and why did it have to include that stupid and ultimately counter-productive sub-plot of Ash being a robot, and further dragging the story down to another big bad conspiracy cliche UNNECESSARY!!!)　　Director Cahn astutely keeps the rubber-suited monster off-screen and in the shadows through-out most of the proceedings, keeping your paranoid imagination on constant alert. Unfortunately, perhaps at the studio's commercial insistance, it is a little over-revealed at the climax, but I haven't claimed this to be the perfect masterpiece. The performances, though nothing award-winning, are nevertheless cool enough so that one becomes sincerely concerned as to their fates. Not many movies in recent times ever come close to achieving that. They can be over-produced from here to eternity, and usually only succeed in being gloriously annoying.　　This film's story is not really totally original (what is), for it is based on A.E. Van Vogt's VOYAGE OF THE SPACE BEAGLE. All ALIEN fanatics should track down an old used copy to see where the initial influence came from.　　As long as you're not craving another CGI wind-ding, you may find it worthwhile. Just don't expect the women to be Ripley precursors. This was still the sock-knitting fifties, sad to say.

简介：

魔法世界再临，迎接大规模魔法战斗场面！艾碧嘉居住的城市，曾经充斥着不可思议的黑魔法，却被政府秘密封锁，艾碧嘉的父亲也因此消失无踪。长大的艾碧嘉体内的魔法力量渐渐苏醒，她是否能逃过一劫？

简介：

未来，人类分为性消极者和性积极者。阴性者如果发生性行为就会生病，所以他们去肉食咖啡馆看阳性者，而阳性者被迫在舞台上为阴性者表演。拉娜是一个积极的人，但每个人都认为她是消极的，她必须决定是否坦白。

简介：加斯荷伯（布鲁诺·斯列斯坦 Bruno S. 饰）从小生活在不见天日的地下室里，仅靠稀少的水源和面包维持生命，直到数十年后，早已成年的他才被带离地下室，第一次亲眼看到了外面的大千世界。可是，噩梦并没有结束，他只不过是从一个地狱跌落到了另一个。在人们的眼中，加斯荷伯并非一个有血有肉的人类，只是一个可供研究和玩乐的部件罢了。刚开始，人们对加斯荷伯充满了好奇，并且，这些好奇里包含了某些恶意。渐渐地，对这个无趣而可怜的物体，大家都失去了兴趣，加斯荷伯被送进了马戏团。几经波折之后，被一名学者收留的加斯荷伯终于过上了平静安全的生活，学者教会了他读写，为他打开了了解世界的另一扇大门。没想到，加斯荷伯对于文明和文化有着异常敏锐和深刻的见解，面对他尖锐直白的语言，被戳到痛处的人类愤怒了。