花田喜事2010

简介：本片导演马克马巴夫计划拍摄一部关于电影百年的片子，需要雇用100名临时演员，他登了一个报纸广告. 然而当数以百计人们出现的时候,场面失控，临时他改变了注意。用摄影机记录下那些应聘者的陈述和想法，真实展露了伊朗社会各阶层的风貌。

简介：在开出租车的时候，马加利亚内斯意外的再次遇见了瑟琳娜，那个在20多年前，与现在完全不同的环境下初次相遇的人。马加利亚内斯想要竭尽所能帮助她渡过眼下的难关，这对他来说也是一种自我救赎的要求。可结果却发现瑟琳娜宁愿放弃所拥有的一切也不愿意接受他的帮助。

简介：本片改编自罗马尼亚神学家伊利亚德的同名小说。1938年，年逾七十的哲学教授多米尼克•马泰（蒂姆•罗斯 Tim Roth 饰）本打算自杀，却被闪电突然击中。严重烧伤的多米尼克得到了罗马尼亚医生斯坦库里斯库教授（布鲁诺•岗茨 Bruno Ganz 饰）的救治，痊愈后，多米尼克竟发现自己返老还童，并分裂出另外人格。不仅如此，多米尼克还具有梦中学习、透视、意念移物等特异功能。为了躲避纳粹医生鲁道夫（安德烈•汉尼克André Hennicke 饰）的追踪，多米尼克化名辗转于瑞士、罗马尼亚、马耳他、印度等地，直到二战结束。六十年代，某次登山时多米尼克遇见一名叫做维拉尼卡的女子（亚历山德拉•玛利亚•拉拉 Alexandra Maria Lara 饰），与他年轻时的未婚妻劳拉一模一样。维拉尼卡及朋友山中遇险，被多米尼克救治后便拥有了梦中追溯语言起始的能力，却因此加速衰老。多米尼克一方面希望维拉尼卡助他完成语言及时间起源的著作，一方面又不愿看到爱人因此早夭，矛盾中痛苦不已……　　本片获独立精神奖最佳摄影提名。

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终极超级跑车回来了！这是为国家地理国际频道制作的全新 6 集季。该剧将于本月在国家地理国际频道播出，并最终在 Disney+ 上进行全球播放。该系列剧深入世界上一些最值得关注的汽车制造商的幕后，探索每个品牌的运作原理以及他们如何开发和制造最新的机器。

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发生在俄罗斯广袤疆域上六座城市的六个小故事平行展开，并以下面这个故事作为其间的串联。在俄罗斯飞地加里宁格勒的一所孤儿院中，一名孤儿编造了一个关于自己那不存在的父亲的天花乱坠的故事。在谎言被其他孤儿们毫...

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一名购买赌场的咖啡歌手和爱上她的男人的故事。

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友善谨慎的新西兰领队罗布·霍尔（杰森·克拉科 Jason Clarke 饰），他的队伍名为“冒险顾问”；而斯科特·费雪（杰克·吉伦哈尔 Jake Gyllenhaal 饰）则风趣搞怪，他带领来自西雅图的“疯狂山脉”登山队。他们相互竞争，又彼此帮助。两支队伍中的勇士们来自各行各业，他们中有邮差、记者、医生，还有一名来自日本的职业女性。这些登山者看似平凡, 但每个人背后都有一个属于自己的梦想，激励着他们前往海拔8000米以上、氧气稀薄的珠峰。在攀登过程中，他们的身体机能急速下降，在应对体力衰竭、缺氧、雪盲的同时，他们又极为不幸地遭遇了一场剧烈的暴风雪，因此命悬一线。影片改编自1996年的一次真实探险经历。

简介：五百年前，天玄大师大师将万妖之王封印，换来了盛世太平。然而好景不长，原本安宁的归元镇上妖异四伏，霍乱再起。为了守护正义与和平，年轻的捉妖师们跃跃欲试。一个梦想成为“天下第一捉妖师”的少年钱有道从中脱颖而出，他与女扮男装的“师弟”袁相宜不打不相识，并在师傅瑞天的带领下踏上了斩妖除魔的冒险征途。但随着一桩奇案的落幕，他们发现了一个不为人知的惊天秘密……

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当地居民和成千上万的度假者每年夏天涌向科德角，开始应对这一令人震惊的鲨鱼新现实，并遵循科学进行调查。

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银幕展览邀请观众在国立博物馆馆长和展览策展人的陪同下，以私人视角观看展览。这无疑是一次千载难逢的机会。除了汇集维米尔的作品外，国立博物馆和海牙莫瑞泰斯皇家美术馆还对维米尔的艺术造诣、他的艺术选择、创作动机以及他绘画背后的创作过程进行了研究。

简介：The history of Danish country church architecture is told by showing scenes of how the church was used by the congregation, beginning with the celebration of mass in a small and simple wooden church 800 years ago, and ending with the congregation singing in a village church of to-day. The development and the growth of the pattern of church architecture is shown.　　Dreyer in this film shows a series of churches from different periods with churchgoers in period clothing. Each period is separated by a shot of a church bell double-exposed on the sky. Although the film has a vibrant and instructive way of communicating the different epochs and styles to students, it does not exhibit the artistic quality that usually distinguishes a Dreyer film, except perhaps in some of the costumes, which were originally made for Day of Wrath.　　The board of Dansk Kulturfilm in autumn 1945 decided that their planned church film would exclusively be about village churches. Dreyer would rework the script that was written by editor and folk high-school principal Bernhard Jensen, aided by a committee of experts consisting of architect H. Lønborg-Jensen and Victor Hermansen, curator at the National Museum of Denmark. Dreyer had a first draft ready in mid-March, entitled Kirken er et gammelt Hus (The Church Is an Old House), which was distributed to the members of the committee for their comments.　　In the last half of July, Dreyer and Victor Hermansen travelled the country to look at suitable churches. They researched the details and at Dreyer’s request a number of technical changes were made to the churches, including the removal of porcelain holders for electrical wiring in Tveje Merløse Church.　　On 4 July, Dreyer went in advance to Ringkøbing. Shooting was set to start a few days later with the arrival of the director of photography, Preben Frank, who had fallen off a ladder and broken his leg, Fortunately, he was ready to cautiously start working again within a few days, with his leg in a cast.　　Otherwise, the production went without a glitch. Everywhere, Dreyer said, they were well received at the vicarages and they had no problem getting enough extras. On 1 august, they returned to Copenhagen with almost all their footage in the can. They only needed to film the church in Skelby, where the weather had been against them, plus a Swedish wooden church in Hedared. The economy was distressed so soon after the war, especially when it came to foreign currency, but there were no real wooden churches left in Denmark and building an interior set in the studio would be too expensive.　　The finished film was shown for the first time on 24 September 1947 to a small, closed circle, which included the Minister for Ecclesiastical Affairs. In December 1947, as was Dansk Kulturfilm’s standard practice, the film was presented to the press, politicians and others on a programme with four other short films.

简介：在俄罗斯某个偏僻的小山村，人烟罕至，静谧非常，这里的景色如同律动的油画一般，美得忧伤，美得窒息。　　一位老母亲（Gudrun Geyer 饰）即将走到人生的终点，时间已没有意义，每一刻都会成为永恒。儿子（Aleksei Ananishnov 饰）陪在母亲身边，精心照料她的起居。他耐心倾听着母亲关于梦的叙述，带着她出外散心，为她读明信片。在秋风骤起的时节，这对母子默默地享受着这最后的聚会……　　本片荣获1997年莫斯科国际电影节安德烈•塔科夫斯基奖、俄罗斯电影评论奖和评审团特别大奖。