遥远的地方

简介：罗德里格斯在上世纪70年代发行过两张专辑《Cold Fact》与《Coming From Reality》，在南非有超过50万的销量且知名度可与滚石乐队相提并论。但与其他知名的美国歌手不同，南非的歌迷得不到任何一点关于罗德里格斯的信息，除了专辑歌曲之外唯一能了解的只有专 辑封面上一张并不清晰的相片。两张专辑后，他好像也就此销声匿迹。　　对于在南非的辉煌成绩，罗德里格斯其实并不知情，他在美国过着截然不同的生活，没有知名度，专辑销量不佳，被唱片公司抛弃，曾经一度做着装修屋顶的体力活…… 南非开普敦一家唱片店老板斯蒂芬与音乐记者克雷格听到罗德里格斯在舞台上奇特自杀的传闻后展开调查，寻找小糖人之路就此开始，一段神秘的传奇故事就此展开……

简介：飞机技师阿迪尔为了还债保住自己的小工厂而参与盗窃红宝石，在返送途中他的滑翔机出了事故，坠落在动物园，结果被小女孩克劳伊当成了天使。本质善良的阿迪尔又想找到红宝石，又不想让罪犯伤害孩子们，只好假装天使与克劳伊生活了几天。结果孩子们与阿迪尔一起抓住了找上门来的罪犯，并把红宝石还给了警方。阿迪尔还用自己的血治好了克劳伊朋友的病，最终与克劳伊的母亲相爱了。

简介：Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.　　To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.　　At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.　　Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.

简介：担当某广告公司主管职务的马科尔斯（Eddie Murphy 艾迪•墨菲 饰）是一位英俊潇洒、事业爱情双得意的黑人男子。他的风度翩翩和温文尔雅是无数妙龄女郎投怀送抱，也正因为如此，马科尔斯与每位女郎的爱情犹如暴风骤雨一般来的激烈，却很快无影无踪。　　不久他所在的公司与别家企业合并，新来的女上司杰奎琳（Robin Givens 萝宾•吉文斯 饰）性感迷人，马科尔斯将其所定为下一个目标。很快两人一拍即合，但在一夜欢愉之后，他却如曾经那些被他抛弃的女郎一样被杰奎琳抛弃。这令马科尔斯备受打击，事业急转直下……

简介：简介：　　民国时期,有日本武士向中国武术界挑衅,打败了不少武术人士,气焰日益嚣涨,同时欺压贫民,经营不法行当,时有霍家拳掌门率子弟抗争;更有第三子元甲因身体虚弱,被父勒令弃武学文,在老夫子的帮助启发下,竟无师自通,自创迷踪拳法.最后父子二人联手击毙了众多日本武士......　　導演：羅馬 羅嘉甫　　動作設計：權永文 王將 黃樹棠　　副導演：王英杰　　出品人：羅嘉甫　　監製：羅馬 李旭馨 羅嘉甫　　出品：嘉氏影業(香港)公司　　演員：　　黃正利　　權永文　　王將　　陳樓　　蔣金　　李春華　　元武　　王沙　　金軍　　王憾塵　　元菊　　陳嶺威　　和尚　　歐陽耀蔭　　梁兆華

简介：相传，流传千年的古医秘针“鬼门十三针”正可救人于鬼门，邪可控人于傀儡，人人皆想得之，奈何它早已匿于江湖，无迹可寻。当世人逐渐遗忘“鬼门十三针”之时，一起诡异莫测的连环杀人案却牵扯出“鬼门十三针”，以及藏于它身后的鬼门秘派，案情愈发扑朔迷离。与此同时，曾因谋害恩师被逐出鬼门的宋敬之在调查连环杀人案时，莫名成为连环杀人案的凶手。面对种种铁证，宋敬之与幕后凶手展开了一场关乎生死和救赎的正义之战。危机时刻，一位毁容老妇认下所有罪名，螳螂捕蝉黄雀在后，亦真亦假，究竟谁才是真正的凶手？

简介：未来某天，灾难降临世间，天灾人祸让地球濒临毁灭。更为可怕的是，恐怖病毒肆意蔓延，人类相继化身为丧失人性、嗜血如命的恐怖僵尸。并且随着时光的流逝，僵尸的智商不断提升，已经成为规模庞大的恐怖大军。经过几个月的厮杀，居住在得州某小镇的哥伦布（杰斯·艾森伯格 Jesse Eisenberg 饰）是少数的幸存者之一，他唯唯诺诺，行事谨慎，却凭着总结出来的经验一次又一次逃出生天。某天，哥伦布遇见作风骠悍的塔拉哈西（伍迪·哈里森 Woody Harrelson 饰），两人一路同行，继而邂逅性感美艳的姐妹花薇奇塔（艾玛·斯通 Emma Stone 饰）和小石头（阿比盖尔·布莱斯林 Abigail Breslin 饰），他们由此开始了一段妙趣横生、惊险刺激的旅程……　　本片荣获2009年Sitges – Catalonian国际电影节观众奖。

简介：职场OL铃木静香（三吉彩花 饰）在日本一流公司任职。某一天，她意外地被一位催眠师催眠，得了一个连医生都检查不出来的“怪病”：无论何时何地，每当听到音乐响起，就会不由自主地唱歌跳舞。这个“怪病”给静香的工作和生活都带来了极大困扰，她找到了催眠师前助理斋藤千绘（八城优 饰），一起踏上“治病”之旅。随之，一系列荒诞搞笑的故事就此展开。

简介：影片围绕一个来自俄克拉荷马州的美国石油钻井平台钻工比尔(达蒙饰)展开。他不得不前往马赛，拜访他久未谋面却锒铛入狱的女儿(布雷斯林饰)，他的女儿坚称并没有犯下谋杀罪。面对语言的障碍、文化的差异，以及复杂的法律制度，比尔决意孤注一掷拯救他的女儿。而在这个过程中，他与一位当地的女性和她的小女儿建立了友谊，也开始了个人的探索之旅，并获得了更大的归属感。

简介：拥有幸福美满生活的大兵福德·布罗迪，内心隐藏着一个挥之不去的阴eee。15年前，他和父亲乔伊、母亲桑德拉生活在日本。父母供职于一座大型核电站。就在福德的爸爸生日当天，一场突如其来的灾难摧毁了核电站，他的母亲在灾难中丧生，语焉不详的政府隐瞒真相，以防止核辐射的名义封锁了该地区。但是乔伊却从种种异状觉察到反常之处，十五年来他一直试图揭开当天的灾难之谜，终于发现这一切都是由一只如山一般巨大的怪兽所引起。怪兽哥斯拉从沉睡中苏醒，令人难以预测的灾难席卷而来……

简介：还以为是古董呢，原来是宝物？！”　　挖地做生意的盗墓贼来了！　　姜东九（李帝勋饰）是天生的盗墓贼，他只要闻到土味就能找到宝物。　　他遇到了自称是韩国印第安纳·琼斯的古墓壁画盗墓专家琼斯博士（赵宇镇饰）、传说中的铁锹达人（林元熙饰），组建了梦幻般的团队，培养了危险又刺激的盗墓版图。　　另外，了解他才能的美术界精英馆长尹室长（申惠善） 向姜东九提议了既有魅力又危险的交易...！　　黃嶺寺金铜佛像，高句丽古墓壁画，还有首尔江南中心宣陵！　　越卖越大的盗墓世界！　　不同级别的铲子开始了！

简介：

20世纪70年代，体弱多病的小男孩比利（Cainan Wiebe 饰）降临人间，他不曾感受到父母的温暖，反而自幼备受虐待。他的母亲（Karin Konoval 饰）甚至串通情人杀害了比利的父亲，而这一切都被这个只有5岁大的小男孩看在眼里。可怜的比利从此被母亲囚禁阁楼，度过了黑暗而漫长的童年时代。某个圣诞夜，长成青年的比利（Robert Mann 饰）逃出樊笼，并将母亲和继父残忍杀害，而同母异父的妹妹爱格尼丝（Dean Friss 饰）也被弄瞎一只眼睛。15年后，比利家早已废弃的房子被改造成某学校的校外宿舍，八个青春靓丽的女生以及舍监芭芭拉（Andrea Martin 饰）住在这里。但她们很快发现，传说中的凶残比利似乎就在自己身边……