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简介：

寿宴之上，太子派四个女刺客伺机刺杀平亲王，为稳固自己的地位，却不曾想困兽在对战之际发怒，开始攻击在场宾客。为保太子周全，风善云、风筝、风起不顾风零落反对，与兽人大战，风善云身死，6070w.com其余两人暴露自己。姐妹间因此事产生间隙。为防止平亲王通过追查此案，太子令风零落潜伏于平亲王府。

简介：卖唱孤女月容受人欺侮﹐幸得马车夫二和相救﹐把她收留家中。邻居田二姑及皮鞋匠王傻子﹐见月容聪慧能唱﹐于是便介绍乐到杨五爷去学戏﹐后来登台卖唱大受欢迎﹐却引来宋信生垂涎她的美色﹐设法引诱她落入自己设置的圈套。二姑的母亲意欲撮合女儿与二和的婚事﹐可惜二和心属月容而婉拒﹐然而不久二姑在刘经理家中任家佣﹐被诱失身怀孕。月容被信生带到天津﹐才发现被骗﹐好不容易返来﹐欲寻二和﹐可惜二和因在刘经理公司工作﹐生活得以改善﹐便与母亲搬到他处居住﹐月容只得再度卖唱为生。而二姑之母迫刘经理作媒﹐好使还未见肚的女儿能跟二和成婚﹐隐暪她与刘经理之间的丑事。成婚之夜﹐二和隐约听到外头月容正唱着“夜深沉” ﹐可是走到屋外﹐又不见其影踪。后来二和发现被二姑骗婚﹐对她非常冷澹﹐刚巧在清风社找到月容﹐二姑知道后立时请刘经理制约他﹐而刘经理也欲佔有月容而收她为乾女儿。未几二姑知道刘经理转向月儿﹐醋意大生﹐在争执间被刘经理所踢﹐流产身亡。刘经理把月容诱至家中﹐二和紧随相救﹐溷乱中月容掩护二和﹐刘经理的手鎗失火自毙﹐月容也因羞惭而自杀身亡。

简介：

在交通极其困难的山区，某部铁道兵来山区修筑铁路的消息传来，老铁匠黄铁锤虽然超过了招募民工要求的年龄，也固执地请求参加修铁路的工作。他的女儿黄丽英也要去参加，他却不同意。待黄铁锤走后，丽英也偷着去了。黄铁锤参加了铁工组，由于思想保守，单纯强调保证质量而忽视了数量，生产进度比别人慢，他的小组因此没能完成竞赛指标。女儿丽英所在的土工小组的成员们，想办法进行技术革新，发明了飞箱运土法，大大提高了工作效率。后来，黄铁锤在老战友铁道兵陈团长的启发和女儿先进事迹的感动下，也有了进步。

简介：《少年屠龙传2》讲述年轻的比利早已是远近闻名的枪手，但他发誓要成为西部的传奇人物，率领追随者劫持财物，与警察周旋。比利智慧过人，胆量超群，深受伙伴们的信任。但这种在马背上、枪弹中的生活并不容易，他们经常被农场主雇用的杀手和警察追得无处藏身。为了躲避警察的追捕，他们准备逃往墨西哥，途中几次受到围剿，一个又一个过命之交离开了比利，而他也越来越感到这种生活的苦痛……　　片中“Blaze Of Glory”一曲获奥斯卡最佳歌曲提名，及金球奖最佳原创歌曲奖。

简介：叙利亚内战期间，大马士革的耶尔穆克地区——数千名巴勒斯坦难民聚居地，曾发生过激烈的冲突。后来，叙利亚政府军包围控制了难民营。本片是一部拍摄日记，讲述了在此期间遭受残酷统治的平民的命运。导演阿卜杜拉·哈提卜就出生于耶尔穆克地区，这是他献给这片坚贞不屈的土地的情歌。

简介：

1958年古巴哈瓦那革命胜利前夕，10岁的塞缪尔刚刚进入到城里，那时候他的母亲刚好离婚。他被安排与他性格怪异且神秘的祖母的老房子里住下来，在那里塞缪尔感受到了不一样的世界。塞缪尔自认为自己已经是一个成年人了，所以和他的母亲造成种种的矛盾，他觉得自己的母亲愚蠢至极。处于青春期而又尴尬的年纪，在一个四周都是女人的环境中与她们建立不一样的关系.....

简介：

《爱情奇遇记》是一部热烈而又充满生命力的故事，讲述了两个人之间艰难的爱情，他们雄心勃勃，想要到达地球最深处——海底，拯救人类免于毁灭。

简介：

上世纪90年代，刑警钟诚受命追捕悍匪集团“老鹰帮”。这群悍匪犯下惊天连环劫案，训练有素且纪律严明，首领张隼更屡次恶意挑衅，矛头直指钟诚。为将“老鹰帮”捉拿归案，钟诚带领刑警小队咬死不放，誓与恶势力斗争到底。数年间，警匪上演了一次次紧张刺激的较量，悍匪愈加猖獗，警方步步逼近，双方展开殊死对决……

简介：三名年轻女子前往旺代省度假，期间她们办公室主任的出现，导致她们兴致全无，却变成折磨的痛苦。

简介：The history of Danish country church architecture is told by showing scenes of how the church was used by the congregation, beginning with the celebration of mass in a small and simple wooden church 800 years ago, and ending with the congregation singing in a village church of to-day. The development and the growth of the pattern of church architecture is shown.　　Dreyer in this film shows a series of churches from different periods with churchgoers in period clothing. Each period is separated by a shot of a church bell double-exposed on the sky. Although the film has a vibrant and instructive way of communicating the different epochs and styles to students, it does not exhibit the artistic quality that usually distinguishes a Dreyer film, except perhaps in some of the costumes, which were originally made for Day of Wrath.　　The board of Dansk Kulturfilm in autumn 1945 decided that their planned church film would exclusively be about village churches. Dreyer would rework the script that was written by editor and folk high-school principal Bernhard Jensen, aided by a committee of experts consisting of architect H. Lønborg-Jensen and Victor Hermansen, curator at the National Museum of Denmark. Dreyer had a first draft ready in mid-March, entitled Kirken er et gammelt Hus (The Church Is an Old House), which was distributed to the members of the committee for their comments.　　In the last half of July, Dreyer and Victor Hermansen travelled the country to look at suitable churches. They researched the details and at Dreyer’s request a number of technical changes were made to the churches, including the removal of porcelain holders for electrical wiring in Tveje Merløse Church.　　On 4 July, Dreyer went in advance to Ringkøbing. Shooting was set to start a few days later with the arrival of the director of photography, Preben Frank, who had fallen off a ladder and broken his leg, Fortunately, he was ready to cautiously start working again within a few days, with his leg in a cast.　　Otherwise, the production went without a glitch. Everywhere, Dreyer said, they were well received at the vicarages and they had no problem getting enough extras. On 1 august, they returned to Copenhagen with almost all their footage in the can. They only needed to film the church in Skelby, where the weather had been against them, plus a Swedish wooden church in Hedared. The economy was distressed so soon after the war, especially when it came to foreign currency, but there were no real wooden churches left in Denmark and building an interior set in the studio would be too expensive.　　The finished film was shown for the first time on 24 September 1947 to a small, closed circle, which included the Minister for Ecclesiastical Affairs. In December 1947, as was Dansk Kulturfilm’s standard practice, the film was presented to the press, politicians and others on a programme with four other short films.

简介：

自幼在宁静悠闲的夏威夷小镇长大，帅气小哥纳兹在滑板场结交了一群比亲人更亲的换帖兄弟，也靠夜间DJ 工作成为社区里有头有脸的风云人物。然而，即便生活舒适自在，他却始终隐隐感到疏离且寂寞。为了陪伴艺术家女友完成创作计画，纳兹下定决心放弃一切，收拾家当搬往纽约。离家的日期一天天靠近，他必须逐一向避风港般的滑板场、电台和兄弟亲友们告别，他心里的杂音逐渐喧嚣⋯⋯离开的决定真的正确吗？无远弗届的社群网路让全球青年作上了相同的梦，却也让无处归属的异乡困惑渲染了整个世代。夏威夷族出身的导演联合同样来自在地的男主角，将诗意的滑板视角与滑行节奏融入运镜，以极富日常感的生活氛围呈现男主角的自传故事，突破世人对夏威夷及当地住民浪漫却单调的想像。独特画幅搭配忧郁热带色调，地方青年探寻自我归属的踌躇穿透银幕，令人感同身受。

简介：

街机的黄金时代或许始于上世纪 80 年代，但几十年后，街机又卷土重来，在街机酒吧中更是声名鹊起。街机酒吧在全球范围内蓬勃发展，不仅将老玩家带回童年，也吸引了新一代玩家。这里是游戏达人的天堂，每个人都熟悉你的游戏。《Token Taverns》以醉醺醺的视角，回顾了街机酒吧的发展历程，以及这种日益增长的趋势背后的原因。影片讲述了 3 家街机酒吧及其老板在两年多的时间里，如何努力在全球疫情中生存发展的故事。