732
1.0

红与白

导演:
陆小雅
主演:
许还山,徐展,耿忠,郭允泰,俞平,翁显樵,章非,赵悦,狄凤臣,张良,陆今龙,吴志远,姚辉录,毛瑞,李宗华
别名:
未知
1.0
732人评分
普通话/国语
语言
1987
上映时间
84分钟
片长
简介:

在长江医科大学60周年校庆的喜悦氛围中,潘一丁(许还山 饰)教授作为从教40年的资深医生受到了表彰。校长龚凡(郭允泰 饰)将一幅写有"神医圣手"四个大字的条幅送给潘教授,潘教授感激之余转身将条幅送给自己的老师仲老先生(张良 饰),以表达对教育之恩的感谢。这40年的医疗成就中,潘教授付出了许多从失误中得来的宝贵教训。在面对荣誉的同时,他决定出版一本总结自己失误的书籍《历年误诊病例剖析》,希望这些失败的经验能给人们带来启示。然而,在校庆之际,发生了一起误诊导致死亡的悲剧。死者是舞蹈学校的优秀学生赵小妹(耿忠 饰),而主治医生正是潘一丁的儿子潘大成(徐展 饰)。潘大成年轻有为,但也有一些傲慢自大的倾向。这次他在给赵小妹诊断时匆忙而草率,忽略了一些重要的症状,导致了误诊的结果。 

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主演:Paul Naschy,Julia Saly,Lola Gaos
简介:PANIC BEATS begins with a totally nude woman with welts on her body, running through a misty forest full of decayed skeletons. A knight on horseback is chasing her, and we soon learn that he is Alaric de Marnac (a wicked character Naschy first created for HORROR RISES FROM THE TOMB), viciously killing her for her unfaithful ways. After the credits role, we are taken to the present where a descendent of Marnac named Paul (Naschy) is married to the wealthy Geneviève (Julia Saly) was has some serious heart problems. Paul decides to take her to his ancestral home in the country for some peace and quiet, but the superstitious-filled setting opens a Pandora’s Box of terrible occurrences.  We soon discover that Paul is a real son-of-a-bitch who plans to scare his wife to death, planning to control her fortune and continue his secret affair with seductive bad girl Mireille (Silvia Miró), who happens to be the niece of the tarot card-reading housekeeper, Mabile (Lola Gaos). Paul’s malevolent scheme works, but he still has to worry about an additional money-hungry mistress (this guy really gets around!), the unforgiving Mabile, as well as new fianceé Mireille who might be hiding a thing or two herself. More grisly murders follow, and the ghost of Marnac returns from hell to punish the most despicable human character in the film.  PANIC BEATS was also written by Naschy (under his real name Jacinto Molina) who injects the film with an old-fashioned spooky house motif, beefed up with a modern movie sense of violence and sexuality. The film offers nothing too innovative storywise, and even Naschy admits on the disc’s extras that it was partly inspired by GASLIGHT and REBECCA, but he seems to just toss in a hodgepodge of exploitation and horror ingredients, while delivering a stylish and enjoyable effort with a number of twists and some genuinely chilling moments. The camera shots and lighting are both effective, and there's even does a cool set-up (much like what Freddie Francis did in THE SKULL and THE CREEPING FLESH) where we see the point of view of Marnac through his dark helmet as he stalks his female prey. Graphically, we are exposed to everything from a plate of bloody eyeballs, to victims being beaten relentlessly with the various Medieval weapons affixed on the house’s walls (for example, someone is axed in the stomach, followed by the soaked entrails oozing out!). Naschy’s most frequent 1980s leading lady, Julia Saly, is not given much to do, but with her offbeat looks, is a nice presence nonetheless. The prominent female star here is Silvia Miró who is seen in the buff frequently, and she certainly makes for some well-appreciated Euro starlet eye candy. Naschy himself is very good in the film, putting on conniving facades, carrying a number of women on a string,
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