坏蛋罗宾汉

简介：

　這個感恩節，著名魔術師將打破魔術第一法則：用魔術幫助平凡人實現生命中最重大的時刻。不管是幫助美國士兵「神奇地」重現在家人面前，還是教緊張的小伙子「水上行走」來求婚，這位魔術師都令大家驚嘆連連、美夢成真。

简介：

　为了给潜在的爱人留下深刻印象，凯拉让她的狗参加了一场敏捷表演。 问题是，她没有狗，所以她需要尽快找到（并训练）一只。

简介：雷蔵の死により12作に及んだ“眠狂四郎“シリーズは終了したが、その3ヵ月後、早くも松方弘樹主演によって復活した。ベテラン監督・森一生も“狂四郎“シリーズは初めての演出。将軍・家斉の世継ぎ・家慶になりすました双子の弟の、陰謀に巻き込まれる狂四郎の活躍を描く。

简介：Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.　　To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.　　At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.　　Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.

简介：女叠码仔梅晓鸥（白百何饰）历尽沧桑，在妈阁（澳门）这座赌城中与来历迥异的赌徒打交道，有地产商段凯文（吴刚饰）、有艺术家史奇澜（黄觉饰），也有来自不同阶级的政商人员，连早已堕落低谷的前夫卢晋桐（耿乐饰）都重新卷入她的人生。这些人入赌场就搏杀，出赌场就赖账，女叠码仔过的就是放债和讨债的生活。　　赌博让人迷失本性，叠码仔与赌徒周旋，也等于与魔鬼打交道，一时假仁假义，一时恩断情绝，赌至终局，谁能寻回本性，谁能鸿运当头？

简介：本片根据全国基层理论宣讲先进个人李坤池老人的真实事迹改编 ，退休老支书郑文轩，离开岗位后，不忘初心，发挥余热，干起了基层宣讲工作，用质朴的语言、以群众喜闻乐见的艺术化形式传递党的方针政策最后一公里！该片由安徽省委宣传部、省委讲师团指导，阜阳市委宣传部、阜阳市颍州区委、阜阳市颍州区人民政府联合策划，阜阳市委讲师团协助拍摄，阜阳市颍州区委宣传部联合摄制，向新中国成立70周年献礼。

简介：一个普通男人的秘密在他的辞职事件中开始显示出端倪。历史教授约翰奥德曼（David Lee Smith饰）说自己身上有一个让大家都匪夷所思的秘密，而为了保守这个秘密他不能在一个地方超过十年。他的朋友们试图去发掘他的故事中的秘密，这一举动让约翰非常生气，而他的朋友却发现约翰的故事是无法被否定也无法查证的，究竟约翰身上有着怎样的秘密？一幕幕碎片联系起来，带给我们一个意料之外的故事高潮。

简介：秋石是一个一直不被认可却傻傻走在追梦路上的青年漫画家，出自己的新番和追求心目中的女神——漫画达人由美，是他最大的两个梦aaa。猫耳娘小苏为了报恩走进秋石的生活，在小苏的帮助下秋石离自己的两个梦想越来越近，只是当梦想临近，秋石却感觉实现梦想的方式远离了自己的初衷，而秋石对小苏的感情也越来越说不清道不明……

简介：讲述夏洛特·萨洛蒙的真实故事，她是一位年轻的德国犹太艺术家。在第二次世界大战前夕，她克服了重重困难，创作了永恒的杰作。

简介：谭雅与男友马凡恋爱七年，两人因误会矛盾闹分手。谭雅赌气在河边醉酒不慎落入河中。谭雅遇见一位神秘的“梦婆”，梦婆承诺可以给谭雅想要的爱情。谭雅提出想要做有钱阔太，梦婆满足了她的要求。然而嫁接在金钱之上的爱情却让她感到廉价。有钱阔太的梦想失败后，梦婆又分别满足了谭雅成为明星的女友，有个帅气小鲜肉男友，找个为自己真心付出的男友的梦想。经历了四段奇幻爱情之旅后，谭雅也终于明白了爱感觉那么远，但其实却离她那么近……

简介：上流社会名媛桃丽目睹丈夫被孪生杀手刺杀，警方派尹和猫仔保护目击证人。某夜桃丽要去参加好友的生日派对，在派对上孪生杀手对其动手，幸好有尹及时相救，桃丽感激尹的救命之恩，送了一条名贵领带给尹，两人开始慢慢熟悉了解对方。与此同时，尹因与太太霭明相聚时间少发生多次争吵。尹迷惘中情陷桃丽，两人在卧室里相爱缠绵，清晨，孪生杀手潜入大厦，一阵枪战过后，其中一名杀手被击毙。另一杀手为了报酬，挟持了尹的孩子……

简介：齐尔布（萨尔曼·汗 Salman Khan 饰）是警界里一朵奇葩。正义感爆棚的他常常单枪匹马的闯入犯罪现场，大展身手将犯罪分子们捉拿归案。虽然齐尔布是市民们眼中捍卫和平的保护神，但在警长切迪的眼中，这个不按常理出牌的下属显然是警局里的超级不安定因素。不仅如此，齐尔布的存在亦给切迪贪污受贿的行径带来了不少阻挠。　　一次偶然中，齐尔布邂逅了名为伊柔塔（索娜什·辛哈 Sonakshi Sinha 饰）的美丽女孩，瞬间坠入了情网，很快两人就走到了一起。齐尔布有一个不成器的弟弟马奇，某日，被马奇虐待的工人找到了齐尔布，向他控诉马奇的罪行，愤怒的齐尔布当街胖揍了弟弟一顿，没想到却因此被一直想要解决他的切迪抓住了把柄。