708
8.0

替身 2012

导演:
古泽健
主演:
山崎贤人,桥本爱,袴田吉彦,加藤爱
别名:
未知
8.0
708人评分
日语
语言
2012-08-04
上映时间
109分钟
片长
简介:

1998年的春天,母亲去世的少年榊原恒一(山崎贤人 饰)因父亲赴海外公干,于是转学至母亲的故乡夜见山市求学。刚刚来到此地,他便旧病复发住入医院,并在某个夜晚意外见到一名左眼戴着眼罩、怀抱娃娃只身前往太平间的美少女。不久后,恒一进入新的班级三年3班,同学们热情友爱,但是和善的外表下似乎又隐藏什么秘密。同时他还发现,那名医院里的女孩——见崎鸣(桥本爱 饰)与之是同班同学,但是同学们全部忽视见崎的存在。不久后,他从同学那里了解到发生在26年前的一起事件,而该事件长久影响着历届三年3班的学生,如今诅咒再启……

本片根据本格派推理小说家绫辻行人的同名原著改编。


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简介:PANIC BEATS begins with a totally nude woman with welts on her body, running through a misty forest full of decayed skeletons. A knight on horseback is chasing her, and we soon learn that he is Alaric de Marnac (a wicked character Naschy first created for HORROR RISES FROM THE TOMB), viciously killing her for her unfaithful ways. After the credits role, we are taken to the present where a descendent of Marnac named Paul (Naschy) is married to the wealthy Geneviève (Julia Saly) was has some serious heart problems. Paul decides to take her to his ancestral home in the country for some peace and quiet, but the superstitious-filled setting opens a Pandora’s Box of terrible occurrences.  We soon discover that Paul is a real son-of-a-bitch who plans to scare his wife to death, planning to control her fortune and continue his secret affair with seductive bad girl Mireille (Silvia Miró), who happens to be the niece of the tarot card-reading housekeeper, Mabile (Lola Gaos). Paul’s malevolent scheme works, but he still has to worry about an additional money-hungry mistress (this guy really gets around!), the unforgiving Mabile, as well as new fianceé Mireille who might be hiding a thing or two herself. More grisly murders follow, and the ghost of Marnac returns from hell to punish the most despicable human character in the film.  PANIC BEATS was also written by Naschy (under his real name Jacinto Molina) who injects the film with an old-fashioned spooky house motif, beefed up with a modern movie sense of violence and sexuality. The film offers nothing too innovative storywise, and even Naschy admits on the disc’s extras that it was partly inspired by GASLIGHT and REBECCA, but he seems to just toss in a hodgepodge of exploitation and horror ingredients, while delivering a stylish and enjoyable effort with a number of twists and some genuinely chilling moments. The camera shots and lighting are both effective, and there's even does a cool set-up (much like what Freddie Francis did in THE SKULL and THE CREEPING FLESH) where we see the point of view of Marnac through his dark helmet as he stalks his female prey. Graphically, we are exposed to everything from a plate of bloody eyeballs, to victims being beaten relentlessly with the various Medieval weapons affixed on the house’s walls (for example, someone is axed in the stomach, followed by the soaked entrails oozing out!). Naschy’s most frequent 1980s leading lady, Julia Saly, is not given much to do, but with her offbeat looks, is a nice presence nonetheless. The prominent female star here is Silvia Miró who is seen in the buff frequently, and she certainly makes for some well-appreciated Euro starlet eye candy. Naschy himself is very good in the film, putting on conniving facades, carrying a number of women on a string,
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