乡下姑娘 1955

简介：

为了应对愈演愈烈的温室效应，世界各国在2014年发射了代号CW-7的冷冻剂，谁知却将地球推入了万劫不复的极寒深渊。大多数的人类死于寒冷与恐慌，只有为数不多的数千人登上了威尔福德工业开发的列车，成为永不停歇的流浪者。这列火车借助威尔福德（艾德·哈里斯 Ed Harris 饰）开发的永动引擎，并且配备各种完备设施，在之后的十七年里构建了属于自己的独立生态系统，周而复始旋转在43.8万公里的漫长旅途中。生活在末尾车厢的底层人民一直饱受压迫，为了争取自由和权力，他们在过去发起过多次暴动，但无疑例外均以失败告终。这一次，拥有领袖气质的柯蒂斯（克里斯·埃文斯 Chris Evans 饰）试图找到被囚禁的安保设计师南宫民秀（宋康昊 饰），借助他之手打开通往首节车厢的重重大门，推翻威尔福德的统治。

简介：

20世纪60年代末，充满和平与爱的十年在暴乱、暗杀和永无休止的战争中破碎。滚石乐队成为这个新时代的代言人，却在阿尔塔蒙特音乐节上以悲惨的结局收场。

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简介：

侯志（魏启明 饰）重返延安，望着巍巍宝塔山，潺潺延河水，他的思绪仿佛又回到四十年前的烽火岁月。当年只有十几岁的小侯志（杨彦强 饰）从前线调回延安上中学，新的环境令他好奇，他同大家一起过着有趣的集体生活。他发现同学们都有亲人接回家过周末，而自己的爸爸从未来过。不久恶耗传来，爸爸已经牺牲，他痛苦万分。班上年长的同学相继走上战斗岗位，害伤寒的侯志在生命垂危之机，是罗姐（吕丽萍 饰）救了他。田秀娟（王雁 饰）逃婚投奔延安，爱上了机智勇敢的班长（郭凯敏 饰），但战争摧毁了纯真的爱情。后来已与他人结婚的秀娟又邂逅过班长，但不久后他就牺牲了......

简介：巴士售票员阿义见义勇为，在巴士上救援了受扒手欺侮的少女阿珍。阿珍活泼美丽，两人不久坠入爱河。婚后，他们共创幸福生活，有了可爱的儿子。阿义在家和在工作岗位上勤勤恳恳，但是，巴士售票员的工作很辛苦，生活也无规律，阿义亲眼目睹一位老售票员因为胃出血而惨死。不久，公司为了节约开支，实行无人售票，阿义失去了工作。为了生活，他拼命学习驾驶技术，在阿珍的支持下，他总算当了司机，保住了饭碗。

简介：影片讲述凌菲（安晨芯饰）为了赚取母亲的医药费白天舞蹈教学，晚上则在酒吧女神潇潇（王一霏饰）的帮助下兼职跳钢管舞。陈末（曾一竣饰）因业绩超前被老板秦川（孙雪岩）带到酒吧放松，看到台上热舞的凌菲不禁陷入回忆，原来两人曾是情侣，因陈末家境贫寒被凌菲父亲当众羞辱，从此立誓发愤图强，有朝一日报复回去。　　陈末在老板秦川的带领下通过融资项目“保利一号”迅速积累名利财富，开始重新追求凌菲，然而好景不长，凌菲被秦川虎视眈眈，在潇潇的配合下用计陷害了凌菲；“保利一号”也开始暗流涌动，金融爆仓，秦川携款潜逃，陈末一时间人财两空，而幕后的金融操纵者陈浩南（陶大宇饰）渐渐浮出水面……

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京城地界，鱼龙混杂，江湖恩怨，明暗较量。 东北帮老铁，河南帮小辉，江湖骗子路大师，销赃茶行老钱，四川帮的二赔，各路英豪混迹在这个城市，立命于各自的独特的行业谋生。 蔡冬冬绰号“小地主”，年纪轻轻混迹在公交，商场，做扒手。他在一次惯行的扒窃中，遇到了野心勃勃，努力开阔疆域的众东北帮成员。小头目绰号疤癞，教训了小地主，宣告了东北帮对这个城市的介入。小地主将到手的钱包和赃款交给了人多势众的东北帮成员，无奈的离开。 小地主每次行窃得手后，都在茶行的老钱那里销赃。在茶行里，偶遇了前来购茶的出手阔绰的路大师。与此同时，小地主也目睹了同行绰号老燕子的年轻女贼对路大师的行窃。在跟踪下，两人结识，并且互帮互助。

简介：

一对理想主义的年轻夫妇获得了一个逼真得令人惊叹的机器人，机器人的帮助使他们无忧无虑，但随着他们日渐亲近，他们对人性的感知将会改变。

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吉米（奥兰多·布鲁姆 Orlando Bloom 饰）是一名送奶工人，安安分分的过着平凡的日子，最大的心愿就是有朝一日能够成为奶制品公司的地区经理。闲暇时分，吉米喜欢在拳击馆打打拳击，权当消磨时间发泄压力。某天，在拳击馆里，吉米赢来了一场大胜，却在不小心之间打伤了对手，让他没有想到的是，他的对手并不是普通人，而是即将代表英国参加世界拳击比赛的职业选手。在缺乏替补选手的情况下，吉米成为了唯一的救命稻草，在半推半就之下，他走上了世界的舞台，他的对手皆是每天都在训练的专业运动员们，站在他们对面，吉米内心究竟是一种怎样的感受呢？

简介：In the time of Counter-Reformation, a miller and his son come under investigation by a priest of the Inquisition, when rumors spread that their prosperity comes from working with the Devil.　　The Devil's Trap is a film directed by František Vláil, based on a novel by Alfréd Technik, adapted by František A. Dvorák and Miloš Kratochvíl. It was the first of three historical dramas that Vláil made during the Czech New Wave (technically he isn't really a part of the New Wave, however these films were made during the same era of artistic freedom), preceding his more well known Marketa Lazarová (1967) and Valley of the Bees (1968).　　Set in the late 16th Century during the Catholic Reformation, in the Moravian Karst, situated in what is now the Eastern Czech Republic, it tells the tale of a miller (Vítezslav Vejrazka), and his son Jan (Vít Olmer), who come under suspicion and are investigated by a Jesuit priest of the Inquisition (Miroslav Macháchek), when rumors of witchcraft are spread by the local regent (Cestmír Randa), who is jealous of the miller's prosperity and degree of respect among the local populace.　　As expected from Vláil, this film is a stunning experience all the way through. From the opening shot, an ominous manipulation of perspective with a close up of a mangled figure of Christ dominating the foreground against a tiny figure in black walking along the horizon, to the breathtaking confrontational finale inside the vast stalactite filled Karst caverns, it is a wonderful display of visual mastery.　　Maybe not quite as impressive as Marketa Lazarová, but still full of astonishing imagery. As seen from unique angles and distinct points of view which highlight the director's remarkable sense of awareness of framing, motion, and positioning on the emotional and dramatic tone of the scene. The most memorable being a repeated shot where the camera is suspended and launched with speed through the air towards the miller's door.　　The story here is a simple one and I would say more accessible than his later works. With a conventional structure emphasized as much by its plot and characters, than by its expressionistic cinematography or authentic historical detail. The events play out without much surprise, and there is a strong underlying, almost supernatural, mysterious aspect that is left unresolved, in fact barely explored, which is slightly disappointing, but only because it's so fascinating that I wish there was more.　　Acting is great all around. Particularly the villains Miroslav Macháchek as the priest, casting a sinister and imposing shadow wherever he goes, and Cestmír Randa as the weasel like regent behind all the persecution. While Vít Olmer brings a charismatic leading man presence in his role as the miller's son Jan, in love with the lovely orphan girl Martina (Karla Chadimová), who becomes a dangerous object of rivalry between Jan and other young men of the village.　　The film also features the evocative music of Zdenk Liška (perhaps the most prolific composer of the Czech New Wave). In this his second of eleven collaborations with Vláil, his compositions are used sparingly, but to great effect, complimenting but never overpowering a scene. The best example of which can be heard in an amazingly shot celebration and dance sequence at the end of the second act.　　The Devil's Trap might not be a masterpiece, but it is still a strong effort, with a fascinating straightforward story and a glorious historical setting captured beautifully by Vláil's unmistakable visual prowess. A fine work that would also be the perfect starter plate to prepare yourself for the challenging feast of Marketa Lazarová or The Valley of the Bees. It even has an easy to digest running time. It's therefore puzzling why this gem remains largely overlooked and ignored.

简介：

崔世心有惨痛的童年记忆，9岁时因她贪图玩耍导致4岁的妹妹崔梦蕾被拐。为找妹妹，她确定了当警察打拐的人生目标。20年近乎绝望的找寻，让崔世心一家异常煎熬，她和医生娄群的恋情也苦楚压抑。神秘女孩华萝闯进了他们的生活，崔世心发现这女孩跟人贩有联系。崔世心为丢失儿童忙碌着。传奇人贩“鬼爷”正活跃在这个城市，狡猾人贩蔡小龙是“鬼爷”邓广天的养子，亦是“妹妹”华萝的青梅竹马。一向雷厉风行的崔世心此时内外交困、腹背受敌，不顾父母反对，对华萝进行彻查调底。在抓捕华萝时，发现华萝就是妹妹崔梦蕾。崔世心把华萝接回家，发现妹妹没有想象的那样清白。华萝身上隐藏着一个秘密，只有秘密破解，才能将“鬼爷”的拐卖团伙粉碎，崔世心通过努力，终于让华萝迷途知返。

简介：

一名男子被诬告谋杀妻子。在狱中，他从四名与他通信的女性那里寻求慰藉。第二次出庭后，他终于获释，却又被诬陷犯下两起他从未犯下的谋杀罪。在前狱警的帮助下，他再次踏上洗清罪名的征程。