787
2.0

葡萄园之恋

导演:
露西·格斯特
主演:
丽贝卡·奥尔森 Rebecca Olson,马库斯·罗斯纳,利安娜·拉普,丽莎·麦克法登,Matt Hamilton,Tanya Champoux,Dan Weber,Wendy Abbott,Nick Preston
别名:
未知
2.0
787人评分
英语
语言
2021
上映时间
90分钟
片长
简介:

西雅图杂志作家山姆·哈特被派往她的家乡俄勒冈州的永恒,报道社交媒体网红希瑟·布鲁克斯的婚礼。山姆很不情愿地离开了,因为她多年前从未忘记与青梅竹马的恋人利亚姆分手。当山姆到达时,她发现婚礼不仅在利亚姆家的葡萄园举行,而且利亚姆是新郎。山姆和利亚姆一开始相处不好。与此同时,希瑟和利亚姆之间的关系紧张,因为她想住在纽约而不是永恒。希瑟离开小镇去处理一些婚礼细节,在她离开的时候,山姆和利亚姆花了更多的时间在一起,因为山姆正在为她的文章研究葡萄园。山姆和利亚姆开始享受彼此的陪伴。他们旧情复燃,但随着婚礼日期的临近,两人都很难承认这一点。

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主演:Paul Naschy,Julia Saly,Lola Gaos
简介:PANIC BEATS begins with a totally nude woman with welts on her body, running through a misty forest full of decayed skeletons. A knight on horseback is chasing her, and we soon learn that he is Alaric de Marnac (a wicked character Naschy first created for HORROR RISES FROM THE TOMB), viciously killing her for her unfaithful ways. After the credits role, we are taken to the present where a descendent of Marnac named Paul (Naschy) is married to the wealthy Geneviève (Julia Saly) was has some serious heart problems. Paul decides to take her to his ancestral home in the country for some peace and quiet, but the superstitious-filled setting opens a Pandora’s Box of terrible occurrences.  We soon discover that Paul is a real son-of-a-bitch who plans to scare his wife to death, planning to control her fortune and continue his secret affair with seductive bad girl Mireille (Silvia Miró), who happens to be the niece of the tarot card-reading housekeeper, Mabile (Lola Gaos). Paul’s malevolent scheme works, but he still has to worry about an additional money-hungry mistress (this guy really gets around!), the unforgiving Mabile, as well as new fianceé Mireille who might be hiding a thing or two herself. More grisly murders follow, and the ghost of Marnac returns from hell to punish the most despicable human character in the film.  PANIC BEATS was also written by Naschy (under his real name Jacinto Molina) who injects the film with an old-fashioned spooky house motif, beefed up with a modern movie sense of violence and sexuality. The film offers nothing too innovative storywise, and even Naschy admits on the disc’s extras that it was partly inspired by GASLIGHT and REBECCA, but he seems to just toss in a hodgepodge of exploitation and horror ingredients, while delivering a stylish and enjoyable effort with a number of twists and some genuinely chilling moments. The camera shots and lighting are both effective, and there's even does a cool set-up (much like what Freddie Francis did in THE SKULL and THE CREEPING FLESH) where we see the point of view of Marnac through his dark helmet as he stalks his female prey. Graphically, we are exposed to everything from a plate of bloody eyeballs, to victims being beaten relentlessly with the various Medieval weapons affixed on the house’s walls (for example, someone is axed in the stomach, followed by the soaked entrails oozing out!). Naschy’s most frequent 1980s leading lady, Julia Saly, is not given much to do, but with her offbeat looks, is a nice presence nonetheless. The prominent female star here is Silvia Miró who is seen in the buff frequently, and she certainly makes for some well-appreciated Euro starlet eye candy. Naschy himself is very good in the film, putting on conniving facades, carrying a number of women on a string,
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